Presentation & Discussion: Open vs. Closed compositions, Balance, Rule of Thirds, Principles of Composition and Elements of Art
Demonstration: Dynamic vs. Static, edges
In Class Exercises: thumbnail sketches
Complete three sketches (one portrait format, one landscape format, one square) approx. 5x7 that demonstrate:
rule of thirds
one in open composition
one in closed composition
one in either open or closed- your choice
4) Upload small, well lit, cropped jpegs of artwork to the slideshow
1) Make viewfinder from 2 corners
2) Prepare thumbnail sketches by drawing grid of thirds on each layout (portrait, landscape, square)
3) Begin thumbnail sketches based on the following parameters
Prepare thumbnails: Draw a minimum of 8 rectangles (approx. 3x4)- 4 should be horizontal/landscape format and 4 should be in vertical/portrait format- and 4 squares (approx. 3x3) in graphite
Compose a variety of open and closed compositions, all using 3 shapes. Make sure that you develop open and closed compositions in each of the formats (horizontal, vertical, and square)
use free-hand sketching, ink washes, or cut silhouettes of organic shapes for this process, as demonstrated.
You will sketch 3-5 simple objects from observation, so choose very simple forms that will be easy to draw quickly. A wide variety of sizes is desirable, though you could always change the size in the drawing.
I suggest having 7-10 objects handy so that you can decide what to use once you understand the assignment. (example: egg, bone, pinecone, seashell, starfish, flower, leaves, etc.)
You will work in black and white media and have the option to use solid black ink with a brush (in which case, you will need wet-media paper)
The Golden Ratio is 1:1.6.
The rule of thirds is a simplification of the Golden Ratio (aka, Golden Mean or Golden Section). The Golden ratio is 1:1.6, and the rule of thirds simplifies this as 1: 1.5, which is the same as 2:3. (pictured above)
If you are basing the dimensions of your composition on the rule of thirds, the height to width ratio should be 1:1.5, which is the same as 2:3. Therefore, your composition might be 4x6, or 5x7.5, or 7 x 10.5, etc. Your thumbnails do not have to use these proportions, but should be approximately 5 x 7.5 with squares no smaller than 5 x 5
Whether or not the height and width of your composition are based on this ratio, you will divide your composition into 3rds both vertically and horizontally. Draw this grid on your composition and use the lines to guide the placement of your shapes.
Remember these tips to using the rule of thirds
experiment with applying the rule of thirds to dark vs. light; horizontal vs. vertical planes; full chroma vs. neutral; large shapes vs. small
use thirds to guide the major movements in your composition
use the points of intersection to guide the placement of focal points in your composition (ie: saturated color, a key figure, or point of light)
You may work from observation, memory, 2D reference, or imagination to sketch your organic shapes. The emphasis in this exercise is to compose with solid shapes (no value contrast to imply volume in this exercise), so please do not linger over the details of the shapes yet. Fill in your solid shapes with graphite, OR use ink washes on wet media paper, OR cut and paste silhouettes from construction paper or similar
(we will discuss each of these in more detail in the upcoming weeks)
Balance and visual weight: Visual weight is determined by the size, placement, value and color contrast, and intensity of color and values of the objects. Balance is the harmony that arises from the careful arrangement of these elements.
Contrast: this applies to color, value, and size
Emphasis or focal point
Proportion and scale
Pattern/repetition
Unity
Rhythm/movement
shape encloses a two dimensional area and can be organic or geometric (one dimensional is a line; two dimensional has length and width)
form encloses a three dimensional area (length, width, and depth. Example: a circle is two dimensional, a sphere is three dimensional)
line (line quality, ie: thick, thin, delicate, broken; contour; hatching)
value (dark and light gradients- these can create vibration or movement)
texture (conveys tactile sensation)
space (organization of shapes and subject matter, including use of perspective)
color (consider palette, chroma, contrast)
In an open composition, the image leaves the edges of the composition to imply a continuation of the scene. In a closed composition, everything is contained within the borders. Look at the variety of approaches here.
questions:
Does the artist use symmetry? If so, how?
What provides balance in these images? Or imbalance?
How are the objects in each image related to each other?
How consistent are the sizes/proportions of the objects or specimens to each other?
How are the colors and values distributed?
What leads the eye across the composition?
Alex Konahin
Lynne Uptin, 2022
Mary O'neil, 2022
Maria Sybilla Merian, 1647-1717
Basilius Besler, 1561-1629
Franz Bauer, 1758-1840
Flemish, 1542 - 1600
John Gould, Hooded Mergansers, 1873
artists involved: John Gould, Henry Constantine Richter, Joseph Wolf and William Hart
Albertus Seba,
Maria Sybilla Merian (b. 1647-c.1717)
Frederick Rusych, 1638-1731
Jakob Scheuchzer, 1672-1733
Ulisse Aldrovandi, 1522- 1605
Joseph Hautman, 2022
Mark Catesby, Bald Eagle, 1726
John James Audobon, Cormorant, (1785-1851)
James Somerville, (1825 - 1899)
Albrecht Durer, 1471-1528
Sydenham Teak Edwards, 1788- 1819
From the Nuremberg Hesperides
pub. 1708-1714
by Johann Christian Volckamer
The Golden Ratio is 1:1.6. We will discuss this in further detail in the coming weeks.
The rule of thirds is a simplification of the Golden Ratio (aka, Golden Mean or Golden Section), and is 1:1.5, or 2:3.
Below are a few examples of this rule. Can you identify what falls on the horizontal and vertical divisions?
John White, 1539-1593
left: Alexander von Humboldt, 1769-1859
top: Nicolas Chardin,
center: Albertus Seba
right: Jan Vandelaar
Maria Sybilla Merian
Ferdinand Bauer, 1760-1826
Ludwig Pfleger (1720-1793)